News & Reviews

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The Washington Examiner: Madcap ‘Marriage of Figaro’

The brilliant Lillian Groag has been a favorite stage director for the Virginia Opera for the past 20 years. When former VO Artistic Director Peter Mark convinced her that her pristine reputation as a theater director, playwright and actor was an ideal requisite for...

WHRO: The Marriage of Figaro Review by M.D. Ridge

What a week for Mozart!—beginning with The Marriage of Figaro at the Harrison Opera House April 6, followed by the powerful Requiem April 13. The Marriage of Figaro is, of course, built on the bones of a satire by noble-wannabe Pierre Beaumarchais, in which the clever...

Fairfax Times: A comic opera that flies into the heart

Ah, sweet lunacy composed by a musical genius is coming this way. It is full of rascally, randy men and quietly patient, shrewd women who want a love that will last beyond the first “whoosh” of courtship. The score soars from the very first beat of the overture. On...

The Virginian-Pilot: An opera love story on stage and off

In Mozart's comic opera "The Marriage of Figaro," the title character and his betrothed, Susanna, go to great lengths to remove obstacles to their love. By contrast, when bass-baritone Matthew Burns and soprano Anne-Carolyn Bird first played those roles together...

VEER Magazine: Mozart’s Mad Take on a Wedding Day

The Mozart opera that runs just four performances at the Harrison Opera House really shouldn’t be called The Marriage of Figaro, stage director Lillian Groag points out. “Figaro’s Wedding Day” would be a better translation of Le nozze di Figaro. The full name of the...

Richmond Times-Dispatch: Opera review: ‘A Streetcar Named Desire’

“I think ‘Streetcar’ is an opera already, except that it doesn’t have music,” composer André Previn once said in sizing up Tennessee Williams’ play “A Streetcar Named Desire.” Virginia Opera’s powerhouse production of Previn’s three-hour 1998 opera, “A Streetcar Named...