News & Reviews

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A Streetcar Named Desire

In this famous tale of lust and disgrace, the newly impoverished Blanche Dubois arrives in 1940’s New Orleans to live with her sister and brother-in-law in their shabby apartment. As the weeks press on, dark truths about Blanche’s past collide with the stark reality...

Richmond Times-Dispatch: Everything works in this ‘Figaro’

“The Marriage of Figaro” is slippery. Just when you think Mozart and librettist Lorenzo Da Ponte are settling into sweet comedy, this 1786 opera has a way of skittering into farce. Just when “Figaro” seems content to trade on melodrama, it deepens toward tragedy....

Richmond Times-Dispatch: Richmond-born singer returns for ‘Figaro’

For Richmond-born Matthew Burns, Friday’s opening of Virginia Opera’s “The Marriage of Figaro” at Richmond CenterStage will be a down-home family affair. Burns, a bass-baritone, will be singing opposite his wife, soprano Anne-Carolyn Bird, as ladies’ maid Susanna, who...

The Washington Examiner: Madcap ‘Marriage of Figaro’

The brilliant Lillian Groag has been a favorite stage director for the Virginia Opera for the past 20 years. When former VO Artistic Director Peter Mark convinced her that her pristine reputation as a theater director, playwright and actor was an ideal requisite for...

WHRO: The Marriage of Figaro Review by M.D. Ridge

What a week for Mozart!—beginning with The Marriage of Figaro at the Harrison Opera House April 6, followed by the powerful Requiem April 13. The Marriage of Figaro is, of course, built on the bones of a satire by noble-wannabe Pierre Beaumarchais, in which the clever...

Fairfax Times: A comic opera that flies into the heart

Ah, sweet lunacy composed by a musical genius is coming this way. It is full of rascally, randy men and quietly patient, shrewd women who want a love that will last beyond the first “whoosh” of courtship. The score soars from the very first beat of the overture. On...

The Virginian-Pilot: An opera love story on stage and off

In Mozart's comic opera "The Marriage of Figaro," the title character and his betrothed, Susanna, go to great lengths to remove obstacles to their love. By contrast, when bass-baritone Matthew Burns and soprano Anne-Carolyn Bird first played those roles together...