News & Reviews

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Review: ‘The Flying Dutchman’ at Virginia Opera

DC Metro Theatre Arts How should we deal with the storms of life? Should we go through life content and yet oblivious to the suffering of ourselves and others? Or, do we allow ourselves psychic disturbance over the plight of the world? Should we play the role of...

Virginia Opera’s superb “Roméo and Juliette” lives on

Communities Digital News The Virginia Opera’s wonderful, grand opera-era production of French composer Charles Gounod’s somewhat neglected 1867 classic, “Roméo et Juliette,” ended its statewide run at Richmond’s Carpenter Center this past weekend. Based, with...

The Curse of the Flying Dutchman

Opera, like theater, is often overlooked among audiences in today’s culture as boring, long and incomprehensible. With the popularity of film, television and video games, it is more important than ever to choose a piece that audiences can connect with.   PHOTO BY...

Opera review: ‘The Flying Dutchman’

Posted: Saturday, April 16, 2016 6:00 pm By ROY PROCTOR Special correspondent - Richmond Times Dispatch From its opening storm at sea to its heaven-bound finale, Richard Wagner’s early opera “The Flying Dutchman” is several shows rolled into one in the...

PERFORMANCE REVIEW: Richard Wagner — DER FLIEGENDE HOLLÄNDER

Voix Des Arts 18 April 2016 PERFORMANCE REVIEW: Richard Wagner — DER FLIEGENDE HOLLÄNDER (W. Tigges, C. Pier, P. Volpe, C. Bix, R. Pike, D. Blalock; Virginia Opera, 17 April 2016)         RICHARD WAGNER (1813 – 1883): Der fliegende...

Fording the deep river with a song in her heart

Saturday, February 27, 2016I What if a high school student doing a report on a historic opera star had the singer appear to him? Radford High School students got to explore that possibility on Thursday through a performance by the Virginia Opera Company. The company...

Preview: Virginia Opera Brings Out the Nuances of “Romeo and Juliet”

BY RICH GRISET Directing Charles Gounod’s “Roméo et Juliette” for his first time in 1987, Bernard Uzan acknowledged that the casting of opera legend Alfredo Kraus as the male lead didn’t make the most sense. Though the Spanish tenor’s pipes were still in fighting...