As a large-scale musical, Lerner and Loewe’s “Camelot” can get lost in the pomp and pageantry of King Arthur and his Knights of the Round Table. Though an instant hit when it opened on Broadway in 1960, the production was heavy with dialogue and ran...
It first appeared on Broadway more than 50 years ago with the star power of Julie Andrews, Richard Burton and Robert Goulet, setting the story of the legendary King Arthur and his Knights of the Round Table to music. Now “Camelot,” the award-winning...
Gary Thor Wedow enjoys a wonderfully eclectic repertoire that ranges from early music to fresh off the press. A faculty member at the Juilliard School of Music, he balances teaching with opera and choral engagements. This month, he conducts the Virginia Opera’s...
Opera fans are in for a real treat this weekend when the Virginia Opera performs “Die Fledermaus” (The Bat) at George Mason University’s Center for the Arts at 8 p.m. Friday, Nov. 30, and 2 p.m. Sunday, Dec. 2. The Johann Strauss opera, written in 1874, is considered...
In her program notes for “Die Fledermaus,” director Dorothy Danner compares the giddy goings-on in Johann Strauss II’s perennially popular 1874 operetta to “dancing on the deck of the Titanic.” That’s as good a description as any for this waltz-happy Viennese...
“Die Fledermaus,” the operetta by Johann Strauss II, began its long life as a satirical celebration of the flirtatious, wine-soaked, waltz-timed frivolity of late 19th-century Habsburg Vienna. That world and its manners and mores are so long-gone that what was satire...
