News & Reviews

Daily Press: Virginia Opera presents ‘Camelot’

As a large-scale musical, Lerner and Loewe’s “Camelot” can get lost in the pomp and pageantry of King Arthur and his Knights of the Round Table. Though an instant hit when it opened on Broadway in 1960, the production was heavy with dialogue and ran for more than four hours.

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Washington Examiner: The sweeping comedy of ‘Die Fledermaus’

Gary Thor Wedow enjoys a wonderfully eclectic repertoire that ranges from early music to fresh off the press. A faculty member at the Juilliard School of Music, he balances teaching with opera and choral engagements. This month, he conducts the Virginia Opera’s production of “Die Fledermaus,” performed at its Norfolk, Richmond and Fairfax venues.

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Letter V Blog: Review – ‘Die Fledermaus’

“Die Fledermaus,” the operetta by Johann Strauss II, began its long life as a satirical celebration of the flirtatious, wine-soaked, waltz-timed frivolity of late 19th-century Habsburg Vienna. That world and its manners and mores are so long-gone that what was satire now comes across as situation comedy.

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WHRO: Die Fledermaus Review

Just as daylight saving time went off and left us in the dark, and grim superstorm damage led the news for days, Virginia Opera brought us the welcome lightness and good cheer of their current production of Die Fledermaus at the Harrison Opera House November 10. It really is not to be missed!

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VEER Magazine: Start out right, with Die Fledermaus

Start out right, with Die Fledermaus, as produced by the Virginia Opera. Light hearted, free-wheeling and fast paced, under the stage direction of reliably inventive Dorothy Danner, with music by the waltz king Johann Strauss II, Die Fledermaus should be the perfect first opera for folks who have never attended one.

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